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Sequencing

The Sequencing screen is where you build and run automated capture plans: one or more targets, each with its own filter and exposure plan, executed unattended — slewing and centering on each target, guarding every frame against bad guiding, handling meridian flips, refocusing when conditions change, and shooting calibration frames on the way in or out.

ARIS sequencing screen with target list and filter configuration

When you tap Start, the plan is handed to the rig computer and executes there. Your phone, tablet, or browser is just a window into it:

  • Close the app, lock your phone, lose Wi-Fi — the night keeps shooting. Nothing about the run depends on a connected client.
  • Reconnect from any device and the live state is right there: current target, frame counts, status, warnings. Everyone connected sees the same run, because the rig owns it.
  • While a plan is running, a sequence-active pill stays visible in the app so you always know the rig is busy — even from other screens.

Each sequence is a list of targets, executed top to bottom. A target is a sky object identified by name and J2000 coordinates.

  • From the Sky Atlas. Find an object on the Plan screen, tap it, and choose Add to Sequence. Name and coordinates fill in automatically — including targets from imported target lists.
  • Manually. Tap the add button on the Sequencing screen and enter the target name, RA (hours/minutes/seconds), and Dec (degrees/minutes/seconds).

Reorder targets by dragging, or remove them by swiping.

Each target has one or more filter entries:

ParameterDescription
FilterThe filter to use, shown with your filter wheel’s slot names and colors.
ExposureDuration of each sub-exposure in seconds.
Frame countNumber of sub-exposures to capture with this filter.
GainCamera gain for this filter (useful for narrowband filters that need higher gain).

Tap a target card to expand it and edit filter entries. Color-coded filter chips give a quick visual summary of the plan.

Instead of a fixed number of frames, any filter entry can use Auto Frame Count: ARIS calculates how many exposures fit in the remaining time before astronomical dawn at your site, accounting for exposure duration and per-frame download overhead. It is ideal for single-target, shoot-until-dawn sessions.

A plan can begin with preparation steps that run before the first slew:

  • Start guiding — starts PHD2 and acquires a fresh guide star at the current position, so the run never begins unguided by accident.
  • Cool camera — kicks the cooler toward your camera-settings target and moves on immediately. Cooling runs in parallel with the slew and centering; the first exposure simply waits until the sensor reaches its setpoint.
  • Unpark / start tracking, wait for darkness (holds until the sun is far enough below the horizon at your site), and calibration steps (below).

Matching post-sequence commands — park, warm the camera, stop guiding — run after the last target completes.

Arriving at a target is closed-loop, not dead reckoning. The rig slews, plate-solves a short exposure, syncs the mount, and re-slews until the target is actually centered in your sensor’s frame. The same centering pass runs again after a meridian flip. If a rotator is configured, the runner also rotates to the plan’s position angle once per target, so framing matches what you set up on the Plan screen.

Before every frame, the runner checks that guiding is not just running but stable — no lost-star events within a settle window (10 seconds for short subs, scaling up to 30 seconds for long ones). If the guide star is flapping, the sequence holds at the frame boundary instead of exposing into ruined subs, and resumes automatically the moment guiding settles.

The policy is yours, and it is live-tunable in guider settings even while a hold is in progress:

  • Require (default) — hold until stable; if the hold runs long, ARIS raises an alert and keeps holding rather than shooting garbage.
  • Warn — hold briefly, then shoot anyway with a warning attached.
  • Off — no gate (for unguided setups).

When a German equatorial mount tracks a target past the meridian, it must flip to the other side of the pier. ARIS handles this automatically, and stops starting new subs as the flip point approaches so an exposure never straddles it.

  1. Pre-flip pause. An optional delay before the flip begins.

  2. Stop guiding. The guider is stopped before the mount moves.

  3. Confirm tracking, then flip. The runner verifies the mount is tracking (some mounts silently refuse a flip slew otherwise), then slews to the target on the opposite pier side — with automatic retries if the mount doesn’t take it.

  4. Witness the pier side. ARIS reads the mount’s reported pier side to confirm the flip actually happened, rather than trusting the slew.

  5. Re-center. A plate-solve pass corrects pointing so the target lands back in the center of the frame. If a rotator is configured, the runner applies the small post-flip trim designed to hold your framing through the flip.

  6. Resume guiding. ARIS restarts the guider and acquires a fresh guide star on the new side of the pier.

  7. Auto-focus. Optionally runs an autofocus pass after the flip.

A timeout protects against flips that hang: if the mount does not complete the maneuver in time, ARIS aborts safely rather than tracking into the pier.

The runner can trigger autofocus automatically: at sequence start, after a meridian flip, on filter change (when that filter has no stored offset), when the focuser temperature drifts by 2 °C, or every 60 minutes. Guiding is paused and resumed around each focus sweep, and per-filter focus offsets apply automatically. All triggers are configurable in focuser settings.

Darks, flats, and bias frames are first-class sequence steps, so a plan can end the night with its own calibration set:

  • Flats auto-expose against your flat panel to hit a target brightness — no manual exposure hunting.
  • Darks and bias run at your chosen exposure and count, waiting for camera cooling first.
  • Every calibration frame waits for the previous exposure to fully complete before starting the next, so nothing stomps an in-flight download.

While running, the screen shows overall progress and time remaining, the current target, per-filter frame counts, and real-time status (exposing, downloading, slewing, flipping, waiting for guiding).

You can pause (the current exposure finishes first), resume, or stop. You can also edit the plan live: change exposures, frame counts, or filter plans on upcoming work, or remove targets that haven’t run yet. The rig validates each edit — fields the runner is actively using are locked — and every accepted change is echoed to all connected devices.

  • Checkpoints. The rig saves its progress after every frame and phase change. After a power cut, the sequence resumes automatically on reboot — and the resume is sun-gated: the rig will only resume unattended when it can prove the sun is still below civil darkness at its site. Otherwise it holds and asks you first.
  • Disk guards. Free space is checked before every frame; you get a low-disk warning early, and the sequence stops cleanly rather than filling the disk mid-exposure.
  • Cover guard. If a flat-panel cover is closed when a light frame is about to start, the runner opens it automatically — no more shooting into a closed cap.
  • Safe state on failure. If an unattended sequence fails, Rig Guardian returns the mount to your configured safe state — Home, Park, or tracking off — instead of leaving it tracking into the pier.
  • Deep stack handoff. When a sequence finishes with enough subs, the rig automatically re-stacks the night into a master FITS and stretched JPEG — see Overnight Deep Stacking.
  • Push notifications. With remote access paired (beta), sequence complete, stopped, and failed events push to your phone’s lock screen.

The Sequencing screen works hand-in-hand with the Sky Atlas. Add to Sequence on the Plan screen creates a pre-filled target, and sequence cards show the target’s reference image and altitude chart so you can verify visibility without switching screens.